What's in my bag?

I get this question all of the time — “What gear do you use?” or “What camera should i get?”. Now having answered these types of questions over and over, I have finally taken the time to compile this list of the gear that I use everyday. It’s not a complete list of all the gear I own, but rather the equipment that I typically carry with me and can honestly recommend to you. 

My setup isn’t anything out of this world, and as you’ll notice, I have a very DIY approach to my craft. I believe in buying and using only gear you NEED to get the job done.

My best advice for purchasing new equipment in general is to really assess what you want to get out of your purchase. The benefit to buying new is that if you have any technical issues down the track, you can always come back to the supplier. Importantly though you must understand a budget should be followed as it is easy to spend too much on something you don't necessarily need.

So before you comment on my Instagram feed or shoot me an email asking what kind of camera or lenses I use, take a look at this list to find your answer. If you are in the market for new equipment and want to support me and my photography, you can use the links below to help me bring more compelling photography too you!


Canon EOS 5D Mark III

This is hands down the best camera I've ever used. Granted this is my third body, it still is a beauty, I can't say a bad word about it. If you've been following my work for the last few years, most of what you have seen is captured using this beast. One thing that's so important to me in choosing the right camera body is design and customisation.

Not only does the Canon 5D Mark III sport a whopping 22.3MP full frame censor, the way the menus can be modified with the rear and side buttons is a huge attraction for me. I am able too set up the camrea how I want it to work in different senarios. Some cameras I've used priviously don't have the same fluid functionality and versitility that Canon has installed on this amazing DSLR. You can read my full review here.


Canon EF 24-70mm f/2.8L

This is my all time favorite lens, not only does it produce an incredible clarity and vibrant colour, there is one special feature that I always wanted. Canon have installed a lock switch for when you want to shoot a timelapse or simply when you're putting it away. This simple feature has helped protect the life of this wonderful investment versus my previous expereince with other lenses.

Basically the switch will now stop the zoom drive train from becoming loose and over used. I found over time, my Canon 24-105mm f/4 suffered from this. It become difficult to walk around with the camera over my should while i rode my bike, or even a casual stroll. More to the point This lense has provided me some excellent results, If you want to find more about it, please read my full review here.


Canon EF 24-105mm f/4 L IS USM

I did mention before a fault to this lens, having said that it does have some great upsides. This entry level L series lens is essential for any new photographer or videographer. When I first got a DSLR with video functions i had no idea what I was getting into. Lucky for me this was a smallest, best investment I've ever made which helped me launch my career way back in 2008 taking me across Australia.

The most inportant feature for me is the Image Stabilisation (IS) which breifly does exactly as says. This doesn't mean you wont benifit from a gimbal if you want smooth footage, however it allows the lens to understand if you're shooting video, or if there is high wind while doing long exposure or timelapse. You also get high quality video content on a tight budget. With it's long zoom and wide lengths offered, I can't speak any higher about this lens, and would love to see a swith to lock the lens up when it's in storage or travelling. If you want to read more about it, please cheak my full review here.


Canon EF 70-200mm f/2.8L IS II USM

This lens is down right the most powerful lens or equipment I've ever come across. It's all round ability of use makes it very attractive to me. It wasn't until recently that I thought I'd actually use this lens. The portraits an d landscapes you can shoot really are somethng else.

The only dislike I have for the Canon 70-200mm f/2.8 IS II is it's sheer weight, there is so much glass to lug around. Having said that it completely delievered with the over all quality of images that can be unleashed using it's creamy f/2.8 apature at 200mm. I spoke before about Image Stabiliser (IS) in which this lens has two different types of sabilisation you can select right from the side of the lens. If you want to know more about these settings and how i use them, please see my full review here.


Canon EF 16-35mm f/2.8L IS II USM

I had always dream't of owning a Canon 16-35mm lens like this. When I was younger I owned a crop sensor with 18-55mm, I felt so restricted. I used this camera for 5 years, and 5 years after that I warpped my hands around this baby. It has helped me fall in love with landscape photography and architectural photography, both interior and exterior.

I understand that a tilthift would be an even better option for this aplication of photography however you can't have everything! If you're into video this is also a great lens to combine with a hand held gimbal that can take the weight. If you want to find out more about the Canon 16-35mm f/2.8, you can read my full review here.


DJI Phantom 4

Lately some of you have seen my drone photography and video work floating around. This peise of kit is seriously the coolest, most fun thing I've ever purchased. With it's robust battery life for quality of output, I was seriously surprised with how high quality the imagry of this device could put out. Not only is it inportant for me to look for quality of iage, but I want to make sure the equipment that I buy is going to last long.

The durability so far has also outlasted more than I could have expected and now that I have the essential accessories I can shoot in almost any condition is a huge variety of formats and applications. If you're thinking about buying a drone, do consider reading my full article about it.


SanDisk Extreme 32GB 90 Mb/s SDHC

Speed, size & design is important for any buddying photographer. When it comes to choosing the right portable storage you need to think about a few things.

Often a forgotten extra, but if you're into highspped photogaphy or want to be quick in general, than you want to make sure you choose the right card for your camera. I've always opted in for SanDisk as they have managed to develop a high performing card that can be used for photography as well as video. I am aware that it's not ideal to use a "slow card" such as this compaired to others, however on a budget, this will get you through depending on the speed of your camera itself.

Read more about my go Top 5 media storage list here.


SanDisk Extreme PRO 32GB CompactFlash 160Mb/s

What more can i say? Old faithful. Sure i've been throuhg a few of them, but these cards in my experience are the most reliable cards i have ever used. Although they seem clunky in a way compaired to more modern storage If you're using a DSLR of sorts, this is a relitivly cheap options while still offerly loads of space.

I typically take a roll of films worth of photos a day, plus a few videos and i'm on my way. So if that gives you an idea of what to expect. Take my judgement as a grain of salt. For the time being you can read my review of all the CompactFlash storageI have used and how they weigh up against one an other.


Manfrotto 290 Xtra Carbon 3-Way Head Kit

It took me so long to find the right tripod for my kit. I needed something light weight, strudy & durable. This manfrotto has defiantley surved me well since i purchased in a couple of years back. The carbon is so down light weight, but once unfolded in it's full height it manages to stay completey still. Regardless of it's sturdiness, i usually hook my bag or a plastic bag full of sand from below to really make sure it's not going anywhere.


Lowepro Fastpack 250 DSLR Camera Backpack

This backpack is perfect for any traveling photographer. If you need to travel (relitivly) light then you might just want to check this bad boy out. It's perfect for me as it fit's my Macbook Pro 15" perfectly, and has a huge amount of pockets and sections to keep organised. What i do love about Lowepro bags are their strong material. I actually am still using the same Fastpack 250 i got 7 years ago from a a reseller in melbourne. To this day i have taken it back and forth with me on assignemt & holidays. Knowing that everything photographic wise is in once place really helps me relax whe i'm on the move.


Think Tank Airport International V 2.0

Contrary in a way to what i just said about my back pack, I want to say that this bag has saved my life so many times. On assignment, i need to travel with a large amount of ewuipmnt for forfil a breif. Lens, multiple camera bodies, accessories for video and audio, you name it. It even has a tripod strap so you have bound it to the side. It's durable and beautifully designed bag that looks after all.

What i do like about this bag is it's exactly what it says it;s for. I remember the first time i ever went to bring it onboard carryon luggage, it fit perfectly through isle and the overhead compartment. I suppose their is that rather small flight where you might struggle, I have been at airports where at once gate my bagage size and weight is fine, just to get to the next section to find out i need to pay extra. You really want to do your research when booking flights with heavy photography equipment.



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